News

17th Annual Gifts from the Heart group show

DSC07881Edgewood Orchard Galleries
4140 Peninsula Players Road
Fish Creek, WI 54212

phone (920) 868-3579
fax (920) 868-3806

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2015 Celebrate Art – Group Anniversary Exhibition December 3 – 31

DSC00178Patricia Rovzar Gallery
1225 Second Avenue
Seattle, WA  98101
www.rovzargallery.com
206.223.0273

2015 Celebrate Art – Group Anniversary Exhibition  December 3 – 31

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Patricia Rovzar Gallery Spring Show

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  • Tal Walton

  • Oil, gold leaf & marble ground
  • March 7 – March 31, 2013
  • Opening Reception:
    Thursday, March 7, 6 – 8 PM
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Rovzar 20th Anniversary Exhibition

Annual group exhibition featuring new works from all of our gallery artists.
December 1-31
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Summer Show 2012

Exhibit III ___ July 21 – August 24

Featured artists Craig Blietz, Kristine Martineau Gellerman, Marcia McDoungh, Joe & Georgia Pozycinski, Jim Rose and Tal Walton.

Opening Reception Saturday, July 21, 4-7 p.m.
Artist introductions/talks in courtyard at 5 p.m. Wine and hors d’oeuvres.

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Interlinear For Cabeza De Vaca

Speaking of the story of Cabeza de Vaca, Henry Miller said, “This is one of the few books that should always be in print.” We agree with him. Soon after Southwest landscape artist, Tal Walton, initiated this project by asking Robert Buchert to find a text they could use for a collaborative piece,

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Right Brain Left Brain

I first came across Tal Walton in the pages of SouthWest Art (one of my favorite art magazines) when he was being profiled as one of the new up-and-coming painters. There was something that instatnly caught my eye

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Resolutions

by Margaret L. Brown

As I was writing this column in mid-November, I asked several members of the art community to share their New Year’s resolutions. While most hadn’t had time to think beyond the busy holiday season, I got an immediate and adamant response from Shirl Smithson, founder of the Oil Painters of America: “My resolution is

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Process for Tal Walton Paintings

February 26, 2008

Tal creates a unique and highly appealing surface and depth in his work by combining techniques that predate the Renaissance period with those that have become available in the 20th century. Working on a solid surface with a traditional Fresco Seco, Tal begins by applying paints and clays to build up underlying interest. Using the ancient technique of

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Luminescent Landscapes

by Susan Hallsten McGarry

It could be a reaction to the irreverence of 1960s Pop Art, to the resurgence of impressionistic techniques in the 1980s or to the fin-de-siecle introspection that comes with the approaching millennium. Whatever the inspiration, a growing interest in tonalist painting is attracting both artists and collectors to quiet moods and spiritual views of nature.

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